Monday 29 December 2014

Slave Girls From Beyond Infinity

Yeah, that's where they're from.  Can I have directions please...?  In the far depths of space two female astronauts escape with their lives from potential slavery using a spacecraft that ultimately plummets into the tractor beam of another planet.  There they are taken in by an eccentric hunter who initially appears to be hospitable.  They are soon warned by one of the other 'guests' that they're in danger (a matter also hinted at by the collection of severed heads on one of the walls...) and have to head out on the run through the surrounding jungles in order to once again escape with their lives.

Directed for Taryn Productions by Ken Dixon in 1987 Slave Girls From Beyond Infinity is a pleasing science fiction romp on a very limited budget that makes up for shortcomings in the epic department with several gorgeous women who spend the entire film wearing very little.  While acknowledged scream queen Brinke Stevens might be present, for me the star of the show is Hungarian-born Elizabeth Kaitan (credited here as Cayton).  She's got a cute voice, lovely face, perfect body, and next to the other woman comes across as much more voluptuous - to see her running around scantily clad for almost an entire film is pretty much worth paying for the film alone.  Pity that she was never more widely famed in the eyes of genre fans as the other scream queens of the era were.
The sets are cheap, and the effects are base level.  Oddly the dialogue is not overtly humorous, which feels offbeat when spoken by actors who are clearly in quite ridiculous situations, but because of this restrained nature in the delivery I feel that the material works quite well.  I was never a fan of the OTT Troma style of script delivery.  I do, however, feel that the exploitation elements could have been enhanced somewhat (and given a 70 minute running time, there was certainly room for it!).  Considering the girls have next to nothing on for most of the film, there is surprisingly little in way of nudity (although it is thankfully there to some extent).  If you're gonna do it, then go the whole hog!  As a Saturday night after-drinks film though, this is not a bad way to end it.

Once released in the US by Cult Video, 88 Films in the UK many years later put out a DVD (as part of their Grindhouse Collection) with similar credentials on the surface.  The full frame (probably as shot) transfer is merely okay - serviceable.  I suspect a Blu-ray upgrade will never be on the cards unfortunately.  Luckily the 88 disc does improve a little on sharpness over the old disc, and colour is much more bearable than the red-hued transfer of old.  The Dolby Digital stereo soundtrack is, again, functional.  While both discs have a batch of trailers to enjoy, along with a couple of other minor titbits, the 88 disc excels by including a feature length documentary also by Ken Dixon called 'Famous T&A', which is basically exactly what it states, featuring clips of actresses who have at one time or another bared their flesh for Charles Band (and other) productions.  Rough quality standard definition (closer to VHS quality actually) does not detract much from the novelty factor of having this grimy little piece as a bonus, so well done to 88 for including that.  The final advantage of the 88 disc is that is has a reversible cover with alternate artwork on the rear.  I prefer the main cover (pictured) as it replicates the art of the old video tape that I once owned many moons ago.

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